You can’t think of one without thinking of the other. Whether you’re talking about films about show-business, the best films of 1950, or the ever-so-controversial 1950/51 Academy Awards, it’s just something that happens naturally to film buffs. In fact, there are tons of online polls asking you to choose between the two. Truth is, it’s nearly impossible. They’re both perfect.
All about Eve is about the theater, Sunset Blvd is about the movies. Both have a very strong, very iconic central character. Eve has Margo, Sunset has Norma. Two big, bruised egos in need of healing, in a sea of lost souls incapable of healing them. All about Eve is undoubtedly the lighter film of the two, but not by much. It’s just that Sunset Blvd is as dark as it gets. How could it not be, with a dead character narrating the story?
Aside from pretty much everything that’s great about them, I think people are also drawn to the fact that they both have a tell-all, behind-the-scenes, this-is-what-show-biz-is-really-like theme to them. It’s intriguing and it’s fascinating. Mind you, this was 1950. Biting the hand that feeds you was unthinkable then. Yet, they did it. I despise the expression ‘ahead of its time’, but by golly, weren’t they?!
Of the many similarities between these two films, one that doesn’t seem to get mentioned that often is that neither of them seem to belong in any genre. Sunset Blvd is a satirical dark tale about Hollywood, but is that a genre? Does it belong in the film noir realm? There’s certainly a lot of rain and voice-overs to back that up. Is it a mixture of both? Or can Sunset Blvd not be contained in any particular genre, other than ‘that Billy Wilder touch’, which, frankly, should be a genre of its own? And what about All about Eve? Sophisticated dark comedy about showbiz? Definitely sophisticated, but is it a comedy? Sure, there are lots of one-liners, but that alone isn’t enough to make it a comedy. Certainly not when it’s got one of the most conniving characters in film history. Maybe it’s a dramedy? That’s the thing with these two films. It’s nearly impossible to define them and equally as impossible to pin them against each other. But film buffs have done so for decades. There are just certain films you cannot help but associate with one another. I’ve watched them both countless times over the years and I cannot make my mind up. Not in terms of ‘favorite’, that’s All about Eve (again, not by much, since I love them both), but in terms of what is actually the better film of the two. I’ve tried and I’ve tried and I don’t know the answer. Maybe there is no answer. Maybe they’re equally brilliant.
I really don’t have that big a reason for liking Eve better, it’s just that the undercurrent sadness of Sunset Blvd is so perfect, it’s almost unbearable. I pity Norma Desmond too much. I feel too sad for her. And in the end, she doesn’t get her close-up, the poor woman. Remember? The screen becomes blurry. All about Eve, on the other hand, has a few zingers here and there to lighten the mood. In other words, if I had to choose, I’d rather take All about Eve with me to a lonely, deserted island than Sunset Blvd. But, yet again, not by much.
Look, I don’t know. I’m just a film buff. All I know is, of all the jobs I wouldn’t have liked to have had, being one of those Academy people that voted for the Best Picture of 1950 is definitely one of them.