Hello everyone!
So, I won’t be posting anything for about a week or so (be back on the 29th) ’cause I’m going on a cruise to Cuba WOOHOO! So excited!!!
I’ll miss you, as always!
Be safe and happy! ❤
Carol x
Hello everyone!
So, I won’t be posting anything for about a week or so (be back on the 29th) ’cause I’m going on a cruise to Cuba WOOHOO! So excited!!!
I’ll miss you, as always!
Be safe and happy! ❤
Carol x
As I’ve mentioned countless times, I’m a massive noir fan and I’ve been wanting to do something like this for a very long time but I never had the guts. Simply because it’s such a massive undertaking and I didn’t want to commit myself like that. However, it’s something that I knew I had to do sooner or later, and since Noirvember is totally a thing, I feel like this is the perfect time to do it. So here they are, my top 20 favorite noirs.
But before that, here are a few things I have to tell you about this list:
OK, here we go!
The Lady from Shanghai screams noir from start to finish. And I love the chemistry between Rita Hayworth and Orson Welles.
The best thing for me are the performances. Humphrey Bogart, Mary Astor, Sydney Greenstreet and Peter Lorre are all fantastic, not to mention the awesome Elisha Cook Jr, who just makes any movie better just by being in it.
Everything about The Third Man is iconic: Orson Welles’ entrance, the Ferris wheel scene, the cat, the music… you name it.
I often refer to this film as ‘the most influential film that gets mentioned the least’. Every shot in it has been re-created in later films, but somehow it continues to be underrated.
I’m not going to lie to you, I also have no idea what goes on in this film. Nobody does. However, it looks great and Humphrey Bogart and Lauren Bacall have the best chemistry ever.
Joan Crawford’s Oscar-winning performance (the only one on the entire list) is, to use a cliché, out of this world. And Ann Blyth plays one of the most detestable characters in all of movie history to perfection.
One of the tightest screenplays ever. It’s just an incredible murder mystery with a plot twist that transcends noir and turns Crossfire into a ‘film with a message’, if you will.
There’s something very, very compelling and fascinating about this movie that is hard to explain. It just draws you in all the way.
As visually impressive as you’d expect from an Orson Welles movie. Often called ‘the last noir’, Touch of Evil is the perfect farewell to an era.
First of all, Rita Hayworth should have been nominated for an Oscar. Secondly, Gilda and Johnny (Glenn Ford) have an electrifying love-hate relationship and I honestly this is the sexiest movie ever.
I find Glenn Ford’s Dave Bannion to be the nicest, most sympathetic main character in any noir. This is the ‘noir with a heart’ in my opinion. Oh and I love Gloria Grahame.
Dark, gritty and full of shadows. Richard Widmark and Jean Peters have a ridiculously hot chemistry and I so wish they had made more movies together!
The most underrated movie ever, in my opinion and certainly one of the best noirs, with one of the best performances, Richard Conte as Mr Brown.
I saw this on the big screen and it was quite an experience. It’s an absolutely fantastic movie with the greatest opening sequence of all noirs.
Devlin and Alicia’s relationship is the yin to Johnny and Gilda’s yang. Both, to me, are the best love-hate relationships, but this is the sweeter one of the two and it always melts my heart. It’s simultaneously unusual for a noir and for a Hitchcock film. And it works wonderfully.
The most quotable movie on the list. Tony Curtis gives one of his best performances as Sidney Falco (great name), who is not the type of character that you’d normally empathize with, but boy, don’t you? I actually feel sorry for him and I know that maybe I’m not supposed to.
The perfect movie to watch on a rainy day. Amazing story, great performances, and an atmosphere that is so noir-ish, you just want to touch it.
Hands down, one of the greatest movies ever made. It’s often considered a noir, but it is so much more than that. There’s nothing left for me to say about Sunset Blvd.
The noirest of all noirs. In fact, it’s so noir, it almost looks like it was made for the sole purpose of showing an uninformed alien what a film noir is. It’s simply brilliant.
Before I reveal my number 1 film noir, here are some that I love but didn’t quite make the cut: Fallen Angel (1945), Leave her to Heaven (1945), The Asphalt Jungle (1950), In a Lonely Place (1950), D. O. A. (1950), Strangers on a Train (1951), among many others.
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Always. It’s just the best noir for me. It has always been my favorite and it always will be. It set the standard and, in my opinion, no noir has ever touched it.
So there you have it, folks! Hope you enjoyed the list and if you haven’t seen some of these, I obviously recommend them. Can’t wait to hear your thoughts!
#Noirvember
Ahoy hoy, my lovelies!
So November is here, apparently, and yet again, we can’t believe the year has gone by so quickly! Although, I think it’s safe to say, we all kind of want it to end and none of us shall ever speak of 2016 again once it’s over. #whatexactlywasthisbloodyshitaboutanyway?!
Anylooloo, November is here as I said, but classic movie buffs prefer to call it Noirvember (I swear it’s a thing, google it). So, I’ve been thinking of something lately. I think I’m finally ready to do my top 20 favorite noirs. I first thought of doing a top 10, but that’s not nearly enough, so I settled for 20 (MAYBE 30). I’ve been thinking about this for a while and since it’s Noirvember, I think it’s the perfect opportunity. But first I have to do a bit of admin, aka re-watch some wonderful noirs that I loved but once saw once or maybe twice, a long time ago, as well as noirs that I’ve been dying to watch and then I have to rank them all (!) and present them to you. I cannot wait, I tell ya!
Anyway, have a fantastic day, everyone!