I couldn’t possibly cover 104 years of absolute badassary and do them justice, but, in my review of The Dark Mirror (1946, dir. Robert Siodmak) a few years ago, I referred to Olivia de Havilland as one of those ‘universally beloved people in the classic film world’ and the outpouring of love following her passing last month proves that. Her immense talent, dedication and wise choice of roles are a reflection of her hard-working nature and, if her infamous lawsuit against Warner Bros in 1944 – look it up – is anything to go by, she was just as fierce offscreen as she was onscreen. Like her BFF Bette Davis, Olivia fought for better parts and resisted the Hollywood studio system at a time when that just wasn’t possible. She re-invented her career time and again, ended up winning two Oscars for To Each His Own (1946, dir. Mitchell Leisen) and The Heiress (1949, dir. William Wyler) out of five nominations and, after 50 years in the business, she was made a Dame of the British Empire in 2017. A legacy such as hers shouldn’t have to require online articles entitled ‘More than just Melanie’ or ‘Ten Olivia de Havilland movies that aren’t Gone With The Wind’, especially because it seems to have been an exception, rather than the rule, but somehow her life and career seems to get lost in wider circles who no doubt know all about Bette, Kate or Joan. Yet, like them, Olivia was a baddass. And as she joins her old friends in Hollywood Heaven, we shall continue to honor her here on earth. Farewell, Olivia!