Sooo…here we are again. As the FIFA Men’s World Cup starts today, I thought I would go back to basics! World of Cup of Horror Movies last month was so much fun, I decided to do one for Film Noir, as it’s Noirvember! As you probably know, this was inspired by Mark Kermode and Simon Mayo’s radio programme, in which they did their own World Cup of Horror Movies, and the rules are quite simple: I pick two films out of a hat (or a cup), and I have to pick which one I like better. Nice, right? So here it is… The World Cup of Film Noir!
Detour (1945) or The Hitch-hiker (1953) – Going to have to go with Detour. They are both sort of similar in their road thriller way, but I absolutely adore the rawness of Detour.
The Big Combo (1955) or The Stranger (1946) – Absolutely no contest here. The Big Combo is an obsession of mine.
Sweet Smell of Success (1957) or Pickup on South Street (1953) – Love both, but going to have to say Sweet Smell of Success, which is one of my all-time favorite movies.
D.O.A. (1950) or Sunset Boulevard (1950) – Another no-brainer here. Sunset Boulevard all the way.
Crossfire (1947) or Mildred Pierce (1945) – Two of my favorites, and while I wouldn’t necessarily call Mildred Pierce a straight noir in the most basic sense, I’m going to have to pick it here. Though, on the whole, Crossfire satisfies me a little bit more on the noir front. Tough one.
T-Men (1947) or Pitfall (1948) – I’m not a big Pitfall fan. I find it a little too dull for my taste. T-Men, on the other hand, is insane. Super tense, endlessly exciting and it looks gorgeous.
Kiss me Deadly (1955) or Crime Wave (1954) – Kiss me Deadly, Kiss me Deadly, Kiss me Deadly! Love Crime Wave though.
Gilda (1946) or The Strange Love of Martha Ivers (1946) – I find both of these films incredibly fascinating. And while I love Martha Ivers and think it’s one of the best, if not THE best suburban noir, Gilda has my vote as it was the film that made a classic movie buff.
In a Lonely Place (1950) or The Set-up (1949) – In a Lonely Place. Though I do really like The Set-up.
Private Hell 36 (1954) or The Killers (1946) – I’ve talked about both at length here on the Garden and while I adore Steve Cochran’s Homme Fatale-ness in Private Hell 36, I’m going to pick The Killers, which is probably my 5th or 6th favorite film noir of all time.
There you have it! (Un)happy Noirvember!